College Educated, Family Oriented, Money Motivated..
Living life one day at a time.
"Just because you miss someone, it doesn’t mean you should go back to them. Sometimes you have to just keep missing them until you wake up one morning and realize that you don’t anymore."
— 23 hours ago with 67685 notes
"There are the green-eyed Mexicans. The rich blond Mexicans. The Mexicans with the faces of Arab sheiks. The Jewish Mexicans. The big-footed-as-a-German Mexicans. The leftover-French Mexicans. The chaparrito compact Mexicans. The Tarahumara tall-as-a-desert-saguaro Mexicans. The Mediterranean Mexicans. The Mexicans w/Tunisian eyebrows. The negrito Mexicans of the double coasts. The Chinese Mexicans. The curly-haired, freckled-faced, red-headed Mexicans. The Lebanese Mexicans. Look, I don’t know what you’re talking about when you say I don’t look Mexican. I am Mexican."
Sandra Cisneros (via ioanina)

(via chicanafem)

— 1 week ago with 5253 notes


the struggle has always been so real.

(Source: ashgreenes, via chicanafem)

— 1 week ago with 5912 notes
"What is interesting, is that the Frida Kahlo venerated by American feminists is a very different Frida Kahlo to the one people learn about in Mexico, in the Chicano community. In her country, she is recognized as an important artist and a key figure in revolutionary politics of early 20th century Mexico. Her communist affiliations are made very clear. Her relationship with Trotsky is underscored. All her political activities with Diego Rivera are constantly emphasized. The connection between her art and her politics is always made. When Chicana artists became interested in Frida Kahlo in the ‘70s and started organizing homages, they made the connection between her artistic project and theirs because they too were searching for an aesthetic compliment to a political view that was radical and emancipatory. But when the Euro-American feminists latch onto Frida Kahlo in the early ‘80s and when the American mainstream caught on to her, she was transformed into a figure of suffering. I am very critical of that form of appropriation."
Coco Fusco on her Amerindians piece from 1992 with Guillermo Gómez-Peña (via tofunkey)


(via fuckyeahchicanopower)

(Source:, via fuckyeahxicanapower)

— 1 week ago with 15566 notes
"I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day—spare me from the relentless cage of routine and rote. I want to be free… I want, I want to think, to be omniscient."
Sylvia Plath (via zeiitgeist)

(Source: learningfromthehands, via chicanafem)

— 1 week ago with 144277 notes

The pattern on this dress is amazing! Love how she mixes it with a patterned bag.

To die for


The pattern on this dress is amazing! Love how she mixes it with a patterned bag.

To die for

(Source: amandasanft)

— 10 months ago with 5334 notes